黑白潜行

简介：苏联卫国战争胜利后，军事法庭对战时曾出卖地下工作者的一女二男进行审判，并处以死刑。审判引起了回忆……　　战争开始后，来不及撤出辛姆菲罗波尔市的一些著名演员利用自己的特殊身份，表面上对德国占领军曲意奉承，而暗地里却在剧院接头，散发传单，为游击队送药品。由于叛徒的告密，他们被捕了。面对着敌人的严刑拷打，他们坚贞不屈，最终惨遭杀害。

简介：海神岛的世子金自幼便遭受了极大的变故，导致他无法化神成鲲，更无法继承海神之位。然而当危难来临，他毅然踏上了解救海神岛之路，并且从中学会了责任与担当。

简介：一个可怜的小女孩在厕所里遭到后母虐打，这位后母随后被谋杀了。随后不断发生了连环神秘谋杀事件。凶手被锁定是一名女性，凶手留下的唯一线索是一幅奥罗拉公主贴画。吴警察（文成根 饰）越深入调查案件，便越觉得凶手是他的前妻郑顺贞（严正花 饰）。　　这场连环杀人案件是一场复仇计划。多年前，郑顺贞与吴警察的只有6岁的女儿被奸杀碎尸，辩方律师却以凶手有精神问题为理由，是凶手躲过制裁。　　被杀害的数人只是前奏，郑顺贞最终的目标是要杀掉当年的那个辩方律师。郑顺贞竟公开了杀人的现场，警察与传媒大众的注意力都集中在郊外的某个垃圾场。

简介：威尔斯唯一一部公映的彩色电影，故事依旧奇情：澳门富商从秘书口中听到一个爱情传说，有人为了香灯有后愿意付钱找人与妻子上床。传说归传说，但澳门富商却要使这个不朽故事成真，找来美女珍．摩露，当正是自己妻子，要她找人轰烈地做爱做的事。乍听下来真是一场天方夜谭，但影片拍来感人至深，53岁的威尔斯与成熟的珍．摩露演出动人不已，最后一个镜头更被影迷形容是「魔术」，令影片入围柏林国际电影节竞逐最佳电影金熊奖。　　The only colour film by Welles publicly released is another showcase of the absurdity of human nature. A Macau millionaire is told a legend about someone who is willing to pay a huge sum for someone who would sleep with his wife in order to produce an heir. In an act to make the legend real and to immortalise it, the millionaire finds Jeanne Moreau to be his wife and starts to search for the man who would make love to her. A potent performance by Welles and Moreau makes the film purely magical; a Golden Berlin Bear nominee for Berlin International Film Festival.

简介：黑道大哥豹哥有老鼠和泰山為左右手。一次，老鼠受豹哥所托，帶同巨款到馬來西亞與當地黑幫交易，豈料突受暗算，老鼠被迫四處逃躲。泰山趕到，但原來豹哥已遭其殺害……

简介：艾美（欧嘉·柯瑞兰寇 Olga Kurylenko 饰）是一名天文学博士生，过往的伤痛经历让她成为了一名兼职替身演员，只有身处于千钧一发的危险境地，艾美内心的痛苦才有可能稍稍淡化。这样一个伤痕累累的女人，遇见了名为艾德（杰瑞米·艾恩斯 Jeremy Irons 饰）的天文学教授，趣味相投的两人相互吸引着，很快便走到了一起打得火热。　　可是，让艾美没有想到的是，自己竟然意外的得知了艾德的死讯，可与此同时，来自艾德的讯息一直没有间断过，就好像他仍然还活在人世一样。这诡异的一切让艾美百思不得其解，随着时间的推移，巨大的压力击垮了她，崩溃的艾美要求艾德不要再来打扰她的生活，从此之后，艾德音信全无。后悔莫及的艾美开始想方设法和艾德取得联系，因为只有他才是解开一切谜团的钥匙。

简介：Set at the turn of the century, the story concerns a Polish poet living in Cracow who has decided to marry a peasant girl. The wedding is attended by a heterogenous group of people from all strata of Polish society, who dance, get drunk and lament Poland's 100-year-long division of Poland under Russia, Prussia, and Austria. The bridegroom, a painter friend, and a journalist each in turn is confronted with spectres of Polish past. In the end a call to arms is called but turns out to be a hoax.

简介：故事的背景设置在 1969 年。伊里亚斯（欧格斯·卡拉亚尼斯 Yorgos Karayannis 饰）是一名10 岁的雅典男孩，非常喜欢天文学和凡尔纳的小说。伊里亚斯十分崇拜他的父亲。他父亲是一名旅游推销员，在一次商务旅行中意外死于一场交通事故。伊里亚斯的父亲在离开前曾答应及时赶回家和他一起看登月的直播，他的意外死亡让整个家庭陷入悲痛。但伊利亚却拒绝接受这个事实坚信爸爸还活着，于是他臆造了一个想像世界。 他和同伴们分享科幻故事， 甚至以爸爸的名义写信给他祖母。他一人分饰两角，好像他父亲依然在他身边。 伊里亚斯的母亲和他的教父一直想把他拉回现实，于是他们带他去度假。

简介：暂无

简介：纳粹时代结束十二年后，大多数公民还在纳粹政权的恐怖阴影中。总检察长弗里茨·鲍尔一直致力于纳粹罪行的举报。根据1957年的线索，他找到了前党卫军阿道夫·艾希曼的下落，鲍尔希望将艾希曼绳之以法。但他反复受阻，高级检察官乌尔里希和BKA员工保罗·格布哈特破坏鲍尔的进程……

简介：单亲妈妈戴安（安妮·杜尔瓦勒 Anne Dorval 饰）大大咧咧，抽烟喝酒满口脏话，有着一颗不服输的心。她独自抚养患有多动症、常做出暴力行为的儿子斯蒂夫（安托万-奥利弗·波尼安 Antoine-Olivier Pilon 饰），母子关系游走在爆炸的边缘。戴安担心斯蒂夫惹是生非，斯蒂夫迫切想表达对妈妈的爱。新邻居凯拉（苏珊娜·克莱蒙 Suzanne Clément 饰）适时出现，这位患有失语症的高中女教师充当了母子的缓冲阀，让三个人都开始看到平衡和希望。然而斯蒂夫以前暴力行为带来的后果正在发酵，戴安需要支付一大笔赔偿金。她决定出卖自己的幸福并且做出一个痛苦决定：将儿子送回医院接受治疗......　　《妈咪》是加拿大年轻导演泽维尔·多兰执导的第五部剧情长片，与多兰五年前在戛纳导演双周单元惊艳亮相的处女作《我杀了我妈妈》构成对照，同样讲述单亲家庭中狂躁而又深刻、依赖而又隔膜的母子关系。但不同于《我杀了我妈妈》的高度自传属性，《妈咪》更加宽厚和温暖，情绪更加饱满，几乎可以看作是多兰为自己处女作年少轻狂做出的一份愧意表达。本片入围第67届戛纳电影节主竞赛单元，与《再见语言》并列评审团奖。

简介：Synopsis　　"Falsely accused as the murderer of my own husband... Oh, the cruel machinations of fate!" A female teacher (Lee Yong-ae) gives shelter to an escaped convict, but her husband, misconstruing her intentions, reacts violently and accidentally stabs himself to death in the process. The teacher is charged with her husband's murder, but fortunately the prosecutor on the case is a former student of hers, of whom she had taken painstaking care when she was working at an elementary school. Remembering her kindness to him, the prosecutor uncovers her innocence in court, and she is acquitted of the crime.　　Notes　　"A silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha)　　A Public Prosecutor and a Teacher is familiar to us for the performance of Shin Chool, Korea's last silent movie narrator (known as "byeonsa"in Korean). Numerous critics have recommended the film, praising it as "a silent movie that allows us to examine the narrator-accompanied method of 16mm films" (Chung Jong-wha), "the work of Korea's last silent movie narrator" (Kim Hong-joon), a movie that "reflects the public's consciousness and has great historical value" (Lee Seung-hun), and "the archetypal new-school film" (Chung Sung-il). As evidenced by such commentary, A Public Prosecutor and a Teacherenjoys greater recognition for its historical value as the only surviving silent movie in Korea than for its artistic or technical aspects. What is ironic is the fact that this recognition derivesfrom a production and screening method that fell behind the times, as sound films (or "talkies") had already become the norm when the movie was first made. Its inclusion in the list is therefore based on its historical, social context rather than on the film itself.　　Afterword:　　- Narrated by Shin Chool, who is known as Korea's last silent film narrator, A Public Prosecutor and a Teacherhas been screened at several film festivals since the latter half of the 1990s.