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兰斯基

导演:
埃唐·洛凯韦
主演:
萨姆·沃辛顿,哈威·凯特尔,敏卡·凯利,安娜索菲亚·罗伯,杰基·克鲁兹,约翰·马加罗,大卫·詹姆斯·艾略特,肖恩·麦克雷,阿隆·阿布布尔,桑德拉·埃利斯·拉弗蒂,艾米丽·玛丽·帕尔默,沃斯·史蒂文斯,伊登·格雷斯·雷德菲尔德,吉姆·戴佛提,詹姆斯·摩西·布莱克,丹尼·A·阿贝卡瑟尔,乔尔·迈克利,乔·奈泽维奇,Chase Levy,罗伯特·沃克·布兰乔德,帕斯卡·叶菲斯特,埃唐·洛凯韦,约翰·迪克森,Steve Alderfer,埃里克·施密茨,老本内特·韦恩·迪恩,James H Keating,Eka
别名:
未知
0.0
2人评分
英语
语言
2021-06-25
上映时间
未知
片长
简介:
哈威·凯特尔将主演聚焦臭名昭著的黑帮人物迈耶·兰斯基的未定名传记片。本片卡司还有萨姆·沃辛顿、艾莫里·科恩、奥斯汀·斯托维尔。亚历珊德拉·达达里奥正洽谈出演中。影片由埃坦·洛克威尔([幽闭空间])自编自导,部分取材于洛克威尔的父亲、历史学教授罗伯特·罗克韦对兰斯基的真实采访。本片讲述兰斯基在被FBI调查和追捕了几十年之后,默默无闻地生活在迈阿密海滩。兰斯基请来年轻记者大卫·斯通(沃辛顿饰)来讲述他的故事时,FBI却把他当作了一枚棋子以追查涉嫌藏匿数亿美元的案件。本片将于8月开机。

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更新:08月12日
简介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
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芳心封鎖