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诺言的夏天

导演:
袁明涛
主演:
张润泽,吴婧,张页石,和龙
别名:
未知
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简介:
诺言(张润泽 饰)自小生活在单亲家庭,父亲(张页石 饰)频频出差,他的童年几乎是在幼儿园和小姨(吴靖 饰)家度过。父亲的工作对诺言来说一直是个谜,他很想知道父亲究竟做什么工作。又要出差的父亲与儿子达成了一项协议,只要他好好学习,出差回来一定给他满意答复。于是诺言和小姨在家度过这个暑假,他每天张望父亲走时的那条弯曲的小路,热切盼望父亲早日归来,了却那久藏心中的谜团。连日暴雨冲毁了小路,诺言思父心切,决心修好这条父亲归来的小路,他幼小的身体滑动在山涧,拣起被雨水冲跑的石块,但无情的雨水把他刚修好的小路又冲垮了,诺言在绝望中哭泣着,远处的小姨知道父爱在诺言心中确立了什么位置......

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简介:Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
1
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