来自火星的消息

简介：西哈诺（杰拉尔•德帕迪约 Gérard Depardieu 饰）生性狂野不羁，心地善良，他默默地爱慕着表妹罗克珊（安妮•波诺什 Anne Brochet 饰），但是他生来长着一个丑陋的大鼻子，纵使自己才华横溢，也不敢对表妹表明心迹。一天晚上他狠狠地嘲讽并且击败一个富家子之后，罗克珊约他次日见面。西哈诺写好情书后准备表明情愫之时，罗克珊却告诉他自己爱上了英俊的新兵克里斯蒂（文森特•佩雷斯 Vincent Perez 饰），并嘱咐在同一兵队的西哈诺保护他。克里斯蒂也喜欢着罗克珊，西哈诺便将自己对罗克珊的爱慕付诸笔端以克里斯蒂之名送达罗克珊之手，并且巧妙地安排了两人的婚姻。谁知早就对罗克珊心怀不轨的军官见此情景愤恨难忍，将克里斯蒂调去了阿拉斯作战……

简介：故事讲述鲍伯刚和恋情长跑的女友分手，心碎不已时巧遇一只可爱到不行的流浪猫，而鲍伯好友克拉伦斯更被小猫萌翻，两人给小猫取名‘Keanu’，而‘百炼钢化为绕指柔’大男人从此化身猫奴，每天陪猫、爱猫，与猫为伍。某天鲍伯的家被流氓集团闯空门，更惨的是他们的爱猫‘Keanu’竟然被绑架！为了营救爱猫，两人决定混入贩卖毒品的圈子，为方便接近流氓集团......

简介：哈特计划拍摄一部创新的动作电影，用无剧本的、意想不到的场景来巩固他作为最伟大的人物的地位。然而，一个盲点导致他成为过去复仇阴谋的受害者。

简介：即将结束职业生涯的水球奥运冠军Matthias Le Goff决定在电视上发表恐同言论，却没想到迎来的“惩罚”是带领一支同性水球队前往克罗地亚参加LGBTQ运动比赛。

简介：在经历了一场疯狂的婚礼派对之后，喝的神志不清的艾博（塞巴斯蒂安·贝策尔 Sebastian Bezzel 饰）意外的被警察从酣睡中叫醒，一夜之间，他竟然从一名小镇警察沦为了凶杀案的嫌疑人，他被指控谋杀了名为巴什尔（弗兰西斯·富顿-史密斯 Francis Fulton-Smith 饰），因为在凶案现场，警方发现了艾博随身携带的小刀。　　就这样，艾博不得不再一次的为洗清自己身上的嫌疑而展开了对案件的调查，和他一起奋斗的还有他的好友卢迪（西蒙·舒瓦茨 Simon Schwarz 饰）。随着调查的深入，巴什尔的妻子（诺拉·冯·瓦尔茨特滕 Nora von Waldstätten 饰）渐渐浮出了水面，这个美丽又性感的女人隐藏着不为人知的过去。

简介：吉尔豪，谁准备公务员，偶然一个女孩名叫Jung Suk曾经在他。他们坠入爱河，因为她仍然喜欢他。有一天，他们因为母亲的反对而分手了。他以他的英勇事迹开始了他的文学生涯。不久，他又在她身上打电话。

简介：讲述的是一名军队士兵在朝不保夕的情况下，在美女身上寻求欢愉的风流情事。

简介：一个年轻的窃贼为了躲避黑帮的追捕躲进了一栋房子，房子的屋主是一个身患重病的女孩。两人在相处中产生了感情，男孩一直鼓励女孩要勇敢活下去，没有料到的是男孩不知自己已经身患癌症，会比女孩更早离去。

简介：三个各自苦逼又同时怀揣电影梦的导演“阿龙、”演员“阿豹、”制片“阿虎”，因机缘巧合聚在一起完成电影梦。一路经历他人嘲笑、不信任，还被欺辱，甚至误入”歧途",染指黑帮，“摊上”黑道千金，三人也随着事情的发展由最开始的齐心协力，开始怀疑、厌恶、误解对方，最终还是因为共同的电影梦化解所有，披荆斩棘，再次合力，终完成心目中的大电影。

简介：泰德（本•斯蒂勒 饰）在十三年前认识了美丽的玛丽（卡梅隆•迪亚茨 饰）。当时他是个平凡的男孩，爱上的是众人的梦中情人玛丽，玛丽也因为泰德挺身而出救了玛丽患有精神病哥哥沃伦而对他产生了好感。可是因为阴差阳错，两人之间的恋情无法继续发展。　　泰德从未忘记过玛丽，即使当今他已个有名作家。终于他在朋友的建议下雇私家侦探帕特（马特•狄龙 饰）寻找玛丽。帕特很快在迈阿密找到了玛丽，她依然美丽，身为外科整形医生的她为了照顾哥哥，仍孑然一人。帕特见到美女便会神魂颠倒，他深深的被玛丽吸引了。他决定要欺骗泰德说如今的玛丽变得潦倒贫穷，风采不再，希望借此能让泰德退出。帕特也不忘不择手段的追求玛丽，就在他即将得手的时候，真相还是被泰德知道了。　　前往迈阿密的路上，泰德遇到一名变态杀人犯，泰德竟然被误以为是杀人凶手。同样的阴差阳错，他也在真凶落网的时候重遇了玛丽……

简介：故事講述經常虎頭蛇尾的富二代Alan(陳家樂)，隔天要為朋友被人寃枉刑毀而要出庭做證人，但當晚Alan仍然出席友人Wendy(衛詩雅)為自己安排的連串生日派對。Dino的代表律師擔心Alan明天失場，於是威迫利誘其宅男師爺Chris(洪卓立)跟著Alan，以確保Alan翌日能夠準時出庭。而Chris一個正需要資金投資其計劃的老友Sam(吳浩康)亦襯機認識有錢人，開始與Chris並肩而行。一夜之間，各人走訪多個狂歡派對，從私人俱樂部到卡拉OK，由酒吧再到蘭桂芳Nightclub，而中醫女酒保Cherry(湯怡)則為他們化險為夷。各人做盡瘋狂荒唐的行徑，事情一發不可收拾．．．

简介：Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career.　　Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.)　　As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisoner/penitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone ("I'm a mechanic"), yet the symbolism is rich: he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played.　　The scene between Josh and Jane (a wonderful, young Edie Falco . . . "You need a woman not a girl") is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly "arty" and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual "am not"/"are too" argument).　　Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the "unbelievable truth" of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.