二流太傅:楼兰玉麒麟
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0.0
二流太傅:楼兰玉麒麟
更新:08月12日
简介:中原刚刚安定,西域楼兰国王子月下璃和公主魅笙前往中原请求联姻,却不想皇帝年幼,不懂情事,罢手拒绝。原本楼兰兄妹二人这次想通过联姻阴谋,用兽灵丹毒害皇帝,要挟他交出多年前战乱时期中原帝国从楼兰抢夺的神器:楼兰玉麒麟。  兄妹二人将目标定在皇帝最亲信的大臣太傅苏染身上,就在魅笙和苏然第一次过招的时候,月下璃被人袭击,兽灵丹被偷走。此时魅笙的计谋也被不知名的力量阻碍,伤不到苏染半分,得知兽灵丹被盗走,魅笙决定找苏染帮忙。  苏染在帮助魅笙找兽灵丹的过程中和魅笙暗生情愫。小皇帝这时也开始情窦初开,和一位少女微服私访于皇城。苏染按照线索一点一点寻找盗贼留下的蛛丝马迹,不想却查到了豫王府,原来豫王多年前征战楼兰,染上奇怪的病症,豫王的侄子为了治病,所以背着豫王偷走了兽灵丹。双方对峙的时候,豫王病发,而私服外出的皇帝也被急于求成的月下璃劫持。  月下璃为了彻底报复中原的灭国之恨,决定利用楼兰玉麒麟制造一场能弥漫中原的蛊虫灾害,魅笙见自己的哥哥失去理智,不忍心中原百姓一起受苦,于是决定就出小皇帝,同苏染一起对抗自己的哥哥。  一场事关中原无数生灵的决战即将到来。
1
2018
二流太傅:楼兰玉麒麟
红花之歌
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0.0
红花之歌
更新:08月12日
简介:“Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.  The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.  As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.  “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.
1
1919
红花之歌