蒙根花
0
0.0
蒙根花
更新:08月12日
简介:1924年冬的胡和草原,蒙族青年夫妇苏和、苎根花的儿子沐沦和汉族夫妇丁青云、赵梅的儿子丁山都刚满3周岁。贡布王爷没有后代,他听信国民党军阀团长鄂有财给他的秘方。即用蒙汉二族3岁属虎男孩的心各一个做成药吃下去,必能早生儿子。苎根花和赵梅被骗进王府,小沐沦和小丁山被王爷抢走了。苎根花得知王爷要杀孩子和药后,和丈夫以及丁青云夫妇一起率牧民冲进王府,刀劈福晋,救出孩子。鄂有财的匪兵赶到,除苏和与丁青云逃脱外,其余人都被抓住。赵梅在临终前嘱托苎根花将孩子抚养大,给他们报仇。苎根花带领乡亲们冲出虎口,在草原老猎手图门老人的帮助下,逃到刘大娘家中。她将沐沦托给刘大娘,自己带丁山离开了草原。12年过去了,在黄河边上,苎根花见到了丁青云。丁青云如今已是八路军支队长,苏和已经牺牲在抗日战场上。苎根花接过丈夫苏和留给她的枪,继续战斗。经过抗大的学习和战场的考验,苎根花逐渐成为一名出色的指挥员,她奉命进入胡和草原开辟抗日游击根据地。日本特务户田、伪军鄂有财和贡布王爷秘密勾结,妄图挑起蒙汉不和,消灭银花游击队。他们强行让蒙汉人民分开居住,抓走图门老人,抢走牧民的马匹,诬陷八路军。苎根花戳穿了敌人的阴谋。贡布怕真相败露,杀死伪装抢马的皮占彪,利用和欺骗图门老人的孙子巴土去刺杀苎根花。苎根花从图门老人那里知道巴土就是自己的儿子沐沦,母子重逢了。苎根花将计就汁,放出“巴土已将银花队长杀了”的消息。贡布为骗取信任,将巴土捆绑着送到游击队驻地。当苎根花出现在他面前时,贡布才知中计。苎根花决定利用被抓获的贡布牵制敌人,夺回马匹。结果,敌人中了我军的埋伏,遭到惨败,鄂有财被击毙。巴土和丁山这一对患难兄弟并肩战斗在一起。不久,苎根花率领的蒙汉骑兵支队成立了。
0
1978
蒙根花
共和国不会忘记
1
0.0
共和国不会忘记
更新:08月12日
简介:华江钢铁公司原是一家地处川滇交界的国家钢铁骨干企业,曾在1960年代创造了生产上的奇迹,但走到1979年已举步维艰,许多职工一心调走。危难之时,总经理田耕(翟俊杰)许诺不久的将来会让华钢旧貌换新颜。随后,他与党委书记肖沛成(黄凯)及做了他大半辈子坚实后盾的总经济师仲天文(郑在石)商议,向国务院递呈了华钢承包责任制方案,承诺会在头年上缴5千万利润的基础上,逐年向政府上缴递增7%的利润,获批准。 田耕的改革大刀阔斧却略带专横:得知看重的已婚年轻人蓝雨濛(唐国强)与助理工程师冯璐(王姬)“沉溺”于儿女情长时,他不问青红将鸳鸯棒打后任蓝作副总经理;甚至希望音乐前程一片大好的女儿嫒媛将来也回华钢工作,但媛媛决定完成母亲江静雯(穆宁)未竟的事业——江静雯原本也可在音乐上有很大作为,却为了田耕将事业放弃。 为了完成6年内将利润翻一番的目标,田耕再向国务院递交同国际银团借贷2亿3千万美元建设二期工程的方案,又获支持。但在此问题上,因为国际银团提出以华钢的固资产做抵押方可贷款,仲天文与他发生激烈争执且坚决不让步,无奈之下,田耕忍痛作出外调仲天文支援宝钢建设的决定,自己带着蓝雨濛来到北京签署了贷款合同。而在华钢二期工程如期开工后,他深知借贷的巨款需要留待后任蓝雨濛和华钢的全体职工去偿还,并醒悟自己欠下了太多的亲情、友情债。
1
1988
共和国不会忘记
荣耀六十年
1
0.0
荣耀六十年
更新:08月12日
简介:Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.  The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).  The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.  The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.  Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.  Roger Philip Mellor
1
1938
荣耀六十年