欲望的火焰
1
0.0
欲望的火焰
更新:08月12日
简介:▪ 导演:张郁强 ▪ 编剧:钟源;舒克 ▪ 美术设计:黄永刚 ▪ 演奏:蒙乐蒙电声乐队 ▪ 指挥:莫尔吉胡 ▪ 独唱:周军 角色 演员 备注 陈庭 杜冶秋 ---- 宋波 曾红生 ---- 娜仁高娃 萨仁高娃 ---- 叶苒 张嬿 ---- 石满 陈永健 ---- 周大头 张大万 ---- 李环 杨扬 ---- 杨小莉 杨眉 ---- 局长 黄小雷 ---- 严萍 方青子 ---- 小三子 张平 ---- 时装店经理宋波的妻子杨小莉突然死亡,刑警队长陈庭带着两名助手赶到现场。经化验茶几上一只有残酒的杯子和酒瓶,发现杨小莉是喝了含有氰化物的葡萄酒中毒身亡。会计叶苒证明,宋波与杨小莉吵嘴,喝了杯中的酒后负气离家的。陈庭将酒杯送去检验,杯子上确实有杨小莉与宋波两个人的指纹和唇纹,这似乎表明杨小莉是服毒自杀。富有经验的陈庭没有被这一假象所迷惑。他对杨小莉身旁一枚金戒指产生了疑问。因为杨小莉纤细的手指戴着太大,但它又不是宋波的。当陈庭摆弄这枚戒指沉思时,在旁的医院护士李环显得神色慌张。离开宋家时,陈庭还发现女大学生娜仁高娃徘徊在宋家附近。经过深入分析和周密调查,陈庭了解到李环与宋波有暧昧关系。他决定从李环这里入手,但当他们找到李环时,她已经死了。案情越来越复杂,此时,香港警暑转来一批有关黄金走私集团和材料,材料表明这个集团在国内有一个支队。眼前的案子与这个集团有没有关系呢?陈庭经过反复推理和细致工作,终于揭开此案的真相。宋波,这个某大学的高材生,在物质金钱欲望的支配下,终于堕落成黄金走私集团中的杀人犯,他受着集团头目叶苒的控制。最后他在熊熊烈火中丧命。
1
1988
欲望的火焰
狼狈丈夫俏娇妻
1
0.0
狼狈丈夫俏娇妻
更新:08月12日
简介:孙博士虽然满腹经纶,无奈言语木讷、囊中羞涩,常遭妻子训斥、儿子“驾驭”,出门在外,也受尽白眼。他的学生张医生却是“遭遇激情”,身为精神病主治大夫却无力治愈丈夫的欲望。精神病人斗殴,张医生唤医务人员强行制止。电击会损伤病人的短期记忆,张医生觉得用新研制的药物结合心理治疗对病人比较有利。博士买菜刚踏进院门,便听见妻子怒斥邻居牛记者,原来博士的儿子拿牛家的金鱼喂了狗,博士妻不分青红皂白斥责牛记者不该让他的金鱼伤了她家名狗的肠胃。博士忙劝妻子息怒,不料妻子称过他买来的鱼,见不足斤两,更是火上浇油,命他回菜场讨回差价。张医生约博士星期天商谈。妻子不允:这不是美国!想性解放、自由化!博士招架不住,逃出家门。街上形形色色的广告,引发博士奇想——他要发明一种神药,改变妻子、张医生的丈夫、病人和各种怪人的脾性。博士与张医生一拍即合,两人合力研制,功夫不负有心人,新药使蛮横的妻子柔情似水、通情达理;张医生的“占有狂”丈夫变得温文尔雅、体贴入微;狂躁不安的病人也变得循规蹈矩。牛记者获悉,抢先报道,一时间,各报纷纷以醒目的标题宣传神药,各经营单位都想订购,牛记者也因此解决了夫妻分居两地无法团聚的事宜。博士的儿子乘其不备溜进实验室,好奇心起,将药剂乱配一气,致使药性大乱,服药的病人恢复旧貌,甚至变本加厉。博士被停职反省、扣发工资,而且不断遭群众围攻、责难。博士妻挺身而出,说医治脾性不靠灵丹妙药,“神药”乃是一颗爱心。
1
1993
狼狈丈夫俏娇妻
外星恶客
1
0.0
外星恶客
更新:08月12日
简介:Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.  The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).  Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.  The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.  This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
1
1958
外星恶客